For five weeks, experts examined it.
January 14, 2020. In Piacenza, the prosecutor Ornella Chicca stands before the press and gives the answer.
“It's with no small emotion that I can tell you the work is authentic.”
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After 22 years, Klimt's Portrait of a Lady was back. It had turned up in the gallery's own wall.
But nobody could say who had put it there, or why.
